Sunday, 13 June 2010
New work - Pistol Gang Ideas
Having been working on the sketchbook for a little while (see earlier posts), I have finally made some progress with the illustration style I have been experimenting with. Drawing on influences from artists such as Frank Miller, Chris Ofili and Haluk Akakce, I have experimented with layering, shading and decoration.
I now have to start applying this to a few more subjects and see how the style develops and would then like to reproduce the images on canvas, using paints and perhaps a little bit of colour...
Tuesday, 8 June 2010
Chris Ofili @ Tate Modern
I had never really considered a future in art or design throughout most of my school life and if I'm honest, I saw it as another subject I HAD to do. However, this all changed as soon as I was introduced to the works of Chris Ofili, when my teacher noticed my penchant for bright colours, psychadelic patterns, the human form and collage.
Ofili had just won the 1998 Turner Prize for his best-known pieces that featured elephant dung among the many different materials applied to the canvas.
He had been shortlisted for the inventiveness, exuberance, humour and technical richness of his painting, but it was his vibrant and dynamic use of colour that had me hooked, adding a real energy and complexity to his work, emphasised by his multilayered use of media referencing blaxploitation and gangsta rap.
Twelve years later, the Tate Britain had a three month exhibition both of these works and those created since taking up residence in Trinidad in 2005.
Having not seen the originals paintings of the elephant dung series, it was enlightening to finally see the pieces that have had such an influence on my work throughout both my education and professional career.
The political and social messages behind each piece were lost on me as a teenager, but to see pieces such as No Woman, No Cry (Ofili's portrait of the mother of murdered London teenager, Stephen Lawrence) up close was both breathtaking and emotive. To be able to see the detail behind each piece - the layers of collage, spraypaint, oil, varnish, lacquer - and the seemingly random background patterns reminded me of the hours and effort that go into creating real art.
However, the thing that shocked me most was the subconscious influence this artist has had on my work as an artist and as a designer. I have always been fond of colour, layering and collage and it dawned on me as I gazed deeply into Captain Shit and the Legend of the Black Stars, that despite not having thought about these pieces in years (probably since those days at Westcliff High), it was being introduced to Ofili that started it all.
Refreshingly, Ofili has grown as an artist and found a new voice. He appears to have entered a 'blue period' of his own as he attempts to illustrate the dark history of the Carribean in The Blue Riders and Iscariot Blues.
There is no dung and no glitter. No collage, no psychadelic patterns. Instead the images are heavy and difficult to read and rely on texture to tell their mystical story.
Whilst I may prefer the earlier pieces that earned him his fame, I admire Ofili for this. He has continued to grow as an artist and has not allowed himself to be stuck on techniques that he knows work so well. Instead he has allowed the environment in which he lives to continue to influence his work. Gone are the urban influences from his days in Kings Cross, replaced by a more spiritual caribbean influence.
I for one can't wait for the next chapter in the journey from elephant art to nature's son.
Sunday, 6 June 2010
Sketchbook: In the Style of Frank Miller (update)
I've been working with a few different images and think I have found one that gives me the most to build on. I'm thinking of introducing some Ofili-style background patterns into the mix and seeing where it takes me.
I'll also be looking to re-draw the image over the next week or so using a new WACOM pad.
I think the subtle, yet dramatic use of colour is working really well here, and would like to start brining in some new textures and layers to start making a style that is more unique and a little less Miller-based.
Friday, 28 May 2010
Sketchbook: In the Style of Frank Miller
There hasn't been much in the way of free time recently, so when I found myself with an hour to waste, I got around to doing something I have been meaning to do for a while now.
Having been to a couple of truly inspiring galleries recently (more of that later), I have been itching to get the sketchbook, pencils, paints and canvas out at some point. I have also been fascinated by the work Frank Miller for some time now, and have been wanting to produce a couple of images in his style, to influence later projects.
With a coupe of images left over from previous projects like "Katie" and "Love Will Tear Us Apart", I produced the above image.
Traditionally, I would approach images such as this with a smooth hand using smooth lines and as few points as possible, to give a sensual feel to the piece. But Miller is a lot rougher with his imagery. The smooth shapes are actually made of angled lines that give a more masculine feel to the image, which in the context of Miller's work, works perfectly to illustrate a more violent way of life in his novels (think Sin City and his Gotham City in The Dark Knight Returns).
This simple approach has certainly given me something to think about, whilst also reminding me the value one can get simply studying somebody like Miller and making the time to really look at things in this way.
New Work - Guilty Pleasures Website
It's been a while (too long) since my last blog, but there has been a lot going on at Blonde (more of that soon).
Here is one of the reasons why... the new Guilty Pleasures site!
Playing on the 'naughty but nice' theme, the site has a peep hole style that really adds to the sultry element of the brand.
It's been great fun working closely with Geoff, developing a brand that we can both be proud of, and one that hopefully has a lot more to offer.
Have a look, and let me know what you think...
Monday, 15 March 2010
Saturday, 6 March 2010
Tuesday, 2 March 2010
New Work - Guilty Pleasures
As revealed last month, Blonde is producing the branding for cake artist Geoff Lealan and his company, Guilty Pleasures.
Whilst the finer details of the identity are ironed out, feast your eyes on the preview above and let me know your thoughts.
Sunday, 21 February 2010
Blonde work live!
OK, so the full-blown, bells and whistles website is still under development, but you can catch the Blonde portfolio here at Behance.
Here you can see some of the work that I have been working on in the last year or so, comment and even make suggestions if you think it could do with a little something extra!
Enjoy!
Blonde
Saturday, 20 February 2010
Tiger update: The recovery begins...
Following his public apology yesterday, the Tiger Woods brand began it's first, tentative steps back to recovery.
While most of the media ridiculed Tiger for the rather dramatic and sensational way in which he began his first steps back to recovery, focussing on his robotic manner, or the fact that he seemed to be wearing the blazer of a much bigger man, or even that most sentences began or ended with "Elin and I", we must remember it takes some guts to come out and admit the bare facts... "I was unfaithful. I had affairs. I cheated."
Here it was in black and white, a straight up confession: I did it, I can't hide from it, yes I am human and I made a mistake. Most importantly, I WAS WRONG.
By doing this, he did what Tiger has done best for so many years, and taken control of the situation. With one fell swoop, the ball is back in Tiger's court. He will return to golf, but only when he is ready, and really, that was the only thing we needed to know - Brand Tiger will be back.
The cynics were out in force at this very public airing of dirty laundry, but let's remember that at ten o'clock last night, this was the headline story. Not the progress in the middle East or the goings-on at Westminster (as indeed should have been the case), but how Tiger was going to recover.
And this is the crucial point - for those out there that believe Tiger will never recover from this setback, think again. Of course he has shattered his holier than thou image, but that isn't going to shorten the queue of sponsors eagerly awaiting his signature. If anything, it's just got longer and the likes of TAG and AT&T, will have to get to the back (when they have finished kicking themselves).
Because now Tiger is human, he is flawed, he is like you and I. He is accessible.
And for the brands that stuck by him, who stepped back and distanced themselves from the mess and waited for it to pass? They've just added another string to their bow. They are now the loyal, committed and understanding brands that will never leave you. They will stick by you through thick and thin, for the good times and the bad.
Remember, there is nothing more appealing than an underdog, and for the first time in his career, Tiger is just that.
Friday, 12 February 2010
New work: Guilty Pleasures
Blonde has been asked to create the full brand for cake artist and friend of Blonde, Geoff Lealan.
Hopefully, the brand will do justice to the amazing talent and skill Geoff puts into his business.
Keep your eyes on the Blonde blog to see the development, but in the meantime feast your eyes on these sweet treats, and if you have any occassion you want to celebrate, get in touch with Geoff.
Hopefully, the brand will do justice to the amazing talent and skill Geoff puts into his business.
Keep your eyes on the Blonde blog to see the development, but in the meantime feast your eyes on these sweet treats, and if you have any occassion you want to celebrate, get in touch with Geoff.
Friday, 5 February 2010
Inspiration: Jim Steranko
Twitter is genius isn't it?
If used properly you can find some pretty amazing inspiration in the most unlikely of places.
An example of this occurred last week when following TV presenter Jonathon Ross, who posted a link to the website of comic artist Jim Steranko.
Like most children (especially those that have found themselves in the creative arena as adults), I had an obsession with comic book art as a child. However, my affections were mostly focused on the art of Batman and the Incredible Hulk, and as a result am more familiar with the art of Jack Kirby, Neal Adams, Frank Miller and Brian Bolland.
If however, I had been more interested in the likes of Nick Fury, Agent of S.H.I.E.L.D, I would have been captivated by the works of Steranko, much sooner.
With a dark and brooding, slightly dramatic abstract composition, his work does remind me of Frank Miller, but Steranko brings an infusion of surrealism, op art and graphic design to his work.
He began his career with Harvey Comics in 1965 after trying to gain employment at Marvel. After several years of creating lesser known characters such as Spyman, MagicMaster and Gladiator, he finally teamed up with Stan Lee at Marvel to create Nick Fury, after inking sketches for Jack Kirby in Strange Tales.
Drawing on the 'aesthetic of Dali' he introduced movements such as op art and psychedelia, as well as techniques such as photo montage, to comic book art.
More recently Steranko has been involved in film and TV, notably working with the History Channel to create the series Comic Superheroes Unmasked.
If used properly you can find some pretty amazing inspiration in the most unlikely of places.
An example of this occurred last week when following TV presenter Jonathon Ross, who posted a link to the website of comic artist Jim Steranko.
Like most children (especially those that have found themselves in the creative arena as adults), I had an obsession with comic book art as a child. However, my affections were mostly focused on the art of Batman and the Incredible Hulk, and as a result am more familiar with the art of Jack Kirby, Neal Adams, Frank Miller and Brian Bolland.
If however, I had been more interested in the likes of Nick Fury, Agent of S.H.I.E.L.D, I would have been captivated by the works of Steranko, much sooner.
With a dark and brooding, slightly dramatic abstract composition, his work does remind me of Frank Miller, but Steranko brings an infusion of surrealism, op art and graphic design to his work.
He began his career with Harvey Comics in 1965 after trying to gain employment at Marvel. After several years of creating lesser known characters such as Spyman, MagicMaster and Gladiator, he finally teamed up with Stan Lee at Marvel to create Nick Fury, after inking sketches for Jack Kirby in Strange Tales.
Drawing on the 'aesthetic of Dali' he introduced movements such as op art and psychedelia, as well as techniques such as photo montage, to comic book art.
More recently Steranko has been involved in film and TV, notably working with the History Channel to create the series Comic Superheroes Unmasked.
Thursday, 4 February 2010
Website News
There will be a Blonde portfolio site, and it will be coming soon!
At the moment I am working hard to build the site from scratch and teach myself the basics of Java and PHP. I am using the site as a personal project to enhance my very basic web building skills, so like every project, there are twists and turns and amendments at every corner.
Hopefully it will be worth the wait!
At the moment I am working hard to build the site from scratch and teach myself the basics of Java and PHP. I am using the site as a personal project to enhance my very basic web building skills, so like every project, there are twists and turns and amendments at every corner.
Hopefully it will be worth the wait!
SNEAK PEEK!
Ok, so I have been busy for the last few months working on my portfolio site and generating content for it.
Here is a sneak peek at one of the pieces entitled Katie.
The visual was an initial concept for the LP for the Pistol Gang and the Preacher and was inspired by the legendary Robert Brownjohn.
This particular piece was an experimental screenprint on gold mirror board.
Here is a sneak peek at one of the pieces entitled Katie.
The visual was an initial concept for the LP for the Pistol Gang and the Preacher and was inspired by the legendary Robert Brownjohn.
This particular piece was an experimental screenprint on gold mirror board.
Monday, 1 February 2010
Is life better in LEGO?
This article was tweeted at me this morning, and it got me thinking... is everything better in LEGO?
I have attached six comparisons that immediately came to mind...
As the author's girlfriend quite rightly pointed out, the only thing not better in Lego are ladies.
Do we agree? Has Blonde missed anything? Let me know...
I have attached six comparisons that immediately came to mind...
As the author's girlfriend quite rightly pointed out, the only thing not better in Lego are ladies.
Do we agree? Has Blonde missed anything? Let me know...
Running blog: January 2010
Since the start of the year, I have run 125.11 miles over 17:18:27 hrs, burning 15330 calories.
I have managed to set a new farthest distance (16miles), and a new personal best for the 10k.
The trainers I bought in early December are on their way out and I am having to rapidly make friends with the new Asics 2140's I managed to get in the sales.
I have had to spend over £100 on physio fees to learn that I have 'weak hamstrings', (which was a minor relief after initially fearing that I had a strain or tear).
But despite all this and the 5.45 am starts, the constant snacking, aching limbs and looming shadow of lethargy, I'm loving it.
I have managed to set a new farthest distance (16miles), and a new personal best for the 10k.
The trainers I bought in early December are on their way out and I am having to rapidly make friends with the new Asics 2140's I managed to get in the sales.
I have had to spend over £100 on physio fees to learn that I have 'weak hamstrings', (which was a minor relief after initially fearing that I had a strain or tear).
But despite all this and the 5.45 am starts, the constant snacking, aching limbs and looming shadow of lethargy, I'm loving it.
Thursday, 28 January 2010
How Tiger will play himself out of the Woods
Tiger Wood's brand is huge.
Arguably the greatest sports person of all time and the world's first billionaire athlete, it is his huge levels of professionalism and dedication to his sport that have (up until recently) made Eldrick "Tiger" Woods a first class role model to adults and children alike.
His superhuman self-control and discipline leading to the highest of his sporting achievements have shown how professionalism and dedication, go hand in hand with success and glory.
He is the ultimate in sporting achievement. When he turns up to a tournament, the audience and viewing figures go through the roof. When Woods was paid a reported $US3m to appear in the Australian Open in November last year, Premier Brumby estimated that the economic benefit to the state of Victoria would be over six times that amount at $US19m, just because of Wood's presence. After the tournament, it was declared that the figure was closer to $US 25-30m.
Unlike other global sport stars such as David Beckham, Tiger has always managed to keep his private life just that. We, the audience only ever knew what he was happy to share with us, and the image of a dedicated and focussed family man, with exceptional moral values who was seemingly modest and likeable, kept the sponsors queueing.
But, at the tail-end of 2009, the too good to be true persona was shattered, when it was alleged that he had up to 14 affairs with a series of waitresses, strippers and dancers. Four more and he would have played a whole round.
Sponsors began to drop him like a hot potato with Tag Heuer, Gillette and AT&T ending their association with the world's number one golfer.
OK, so this is not exactly news to regular readers of the tabloids, but please bear with me.
In Europe, celebrity endorsements are seen as no more than a vehicle to get a brand into the consciousness of the audience. Very rarely does an individual make a purchasing decision on the strength of the values of those seen endorsing it, as more often than not the brand have covered all the bases. If the audience falls out of love with one celebrity endorsing their product, more often than not there is another, more popular celebrity championing it. My girlfriend is a huge fan of Cheryl Cole (as is most of Britain at the moment) , but the fact that she doesn't particularly like Andie McDowell, hasn't stopped her buying L'Oreal. Similarly, as a Chelsea fan I wouldn't shun Nike football boots just because they supply the kit to Arsenal and Manchester United. And I don't wear Adidas trainers just because they are the sportswear providers for The Blues.
But in America, it's slightly different. When researching this article I stumbled across several blog sites and their responses, and some of the responses from our neighbours surprised me.
One poster stated "I'm not going to support people with no integrity anymore, which includes the corporations that stand with him." Another called Woods a "hypocrite" and demanded that the PGA take a stance against the man who 'betrayed his sport', whilst yet another described him as 'perverted' and felt betrayed at having been fooled by his corporate endorsements and franchises.
There were easily another two dozen, similarly scathing posts all declaring their hurt and betrayal on an almost personal level.
But why the big deal? We have seen politicians, sportsman and other public figures fall from grace in similarly embarrassing ways and recover seemingly effortlessly. Kate Moss has spent the last few years in and out of the tabloids surrounded by drink and drugs allegations, and yet in terms of endorsements, her face has adorned practically every possible advertising space imaginable.
Tiger Woods is no different. His brand is huge and he has so much brand equity to draw on that we should really be anticipating one of the greatest brand recoveries ever.
Whilst I am sure that none of us will condone Tiger's behaviour, from a brand recovery point of view he did exactly the right thing. He came clean, admitted he had his problems and politely requested that he was given the time and the privacy to make right his wrongs. He has taken an indefinite break from the game to concentrate not only on his family, but also to set about this recovery. You see, when you have a brand as huge a Wood's, it doesn't matter how many sponsors drop you, there will be hundreds more ready to take up the mantle.
The world of golf needs Tiger too, and he knows it. Tim Finchem, the PGA Tour Commissioner has already declared that "It won't be at the same levels without our No 1 player". People know and love Tiger for what he does on a course, and they know that he still has so much to give and achieve. For a man so focussed on being the best, it's hard to believe he would retire without beating the record eighteen major titles currently held by Jack Nicklaus. He is currently on fourteen.
He is a 'performance brand', and this is precisely the reason why Electronic Arts have stood by him - they need to make great games and need the greatest golfer to help them do it. The same goes for Nike. When you think of Nike and Golf, you think of Woods, not KJ Choi or Paul Casey.
However, there is one more aspect to this recovery, that many seem to have missed.
For years Tiger has created a 'holier than thou' brand, that has relied on his seemingly superhuman talents. He appeared to have everything, but the problem for many was that we knew nothing of Tiger the man.
Whilst he gave hope and inspiration to kids everywhere, for the everyday adult, we could understand and admire the man, but not relate to him. Remember, that whilst Tiger was in a position to do great things for young, aspiring black sports stars in America, he refused to be drawn on issues of race, for fear of upsetting his sponsors. As far as creating a strong brand with apparently solid values and morals, there is nothing quite like Brand Tiger. But the crucial, endearing element of brand personality was lacking. Until now.
Now the people in the street know that Tiger has his faults. He is human after all. Some like drink, some drugs and gambling, for Tiger and millions of others, it's women.
I'm not saying that the sponsors should look into exploiting the situation by launching a number of Tiger endorsed phone and text bundles or hotel packages, just simply that nobody is perfect and we all make mistakes everyday. Tiger may be rich and famous, he may be a sporting legend whose name will live on far longer than any of us, but he is just like you and I. His biggest mistake was being fooled by his own brand persona.
It's the same reason I liked Batman as a kid. He didn't actually have any special powers, he was just an ordinary guy who happened to like dressing up as a bat, and saving the city he loved with his superior martial arts skills (ok, the dressing up as a bat thing probably wasn't quite so healthy). Kids could relate to him because they didn't need to be bitten by a bionic spider, or be born to another planet, you just needed the passion and dedication to never be beaten. His weaknesses though, were as appealing as his strengths.
So, when Tiger eventually gets back to doing what he does best (golf), and we see him finally taking his next major title, remember he is human after all, and he is susceptible to the same mistakes as you and I.
His recovery won't be smooth and it certainly wont be as straight-forward as before. This time there will be people determined to make it hard for him, but equally he has a new demographic to tap into. Everyone loves a comeback, and this time it's the understanding that he does actually have a personality, which will be his most potent weapon.
Wednesday, 27 January 2010
Zag
Whilst looking for a suitable replacement for the ever reliable Apex font, I was pointed in the direction of the elegant and contemporary Zag by Fontfabric...
"Zag is a geometric sans serif inspired by the new contemporary stuff and that bring us unusual ornamental feeling. Compressed capitals, a high x-height and geometric construction give this art deco inspired sans a unique look that looks to the past for inspiration, but is a new contemporary design usable in a wide range of graphic settings. "
So there you go...
For a closer look, click here.
Monday, 25 January 2010
A logo to make you smile
I was asked recently to comment on a logo - any logo that best suited the personality of it's organisation. A logo that really hit the mark and encapsulated the essence of it's brand.
Of course, there were so many to choose from. A colleague suggested the FedEx logo designed by Lindon Leader at Landor in 1994, with it's clever formation of an arrow between the E and the X. Or of course there is the eternally elegant and beautiful Nike Swoosh. Or for a more recent suggestion, how about the much maligned and controversial, yet equally successful 2012 logo designed by brand giants Wolff Olins?
All of these were worthy of comment, but for me, there was one clear winner. A logo that shouted simplicity, ease of use, of a service that spans from A to Z with a smile. A logo whose graphic execution is so simple and witty, that you cannot help to smile back.
Ladies and gentleman, I give you the Amazon.com logo...
For a full history of the logo and to see how far it has come since it's inception in 1995 please click here.
Of course, there were so many to choose from. A colleague suggested the FedEx logo designed by Lindon Leader at Landor in 1994, with it's clever formation of an arrow between the E and the X. Or of course there is the eternally elegant and beautiful Nike Swoosh. Or for a more recent suggestion, how about the much maligned and controversial, yet equally successful 2012 logo designed by brand giants Wolff Olins?
All of these were worthy of comment, but for me, there was one clear winner. A logo that shouted simplicity, ease of use, of a service that spans from A to Z with a smile. A logo whose graphic execution is so simple and witty, that you cannot help to smile back.
Ladies and gentleman, I give you the Amazon.com logo...
For a full history of the logo and to see how far it has come since it's inception in 1995 please click here.
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